"Your body is a microcosm of all existence." – On Michelle LeBrun's Death: A Love Story: Bodies Politic/Body Politics: The Political and the Personal in Contemporary Film Essays by Matt Brennan |
Film Studies For Free continues to catch up with August's bumper crop of new online journal issues. Over the weekend, it has been thoroughly enjoying the lively and eclectic brilliance of Bright Lights Film Journal's latest offering of very savvy, and sometimes sassy, articles.
They may not be 'peer reviewed' in the strict scholarly sense, but film studies academics and cinephiles will miss these at their peril.
The entire table of contents for Issue 73 is thus reproduced below. And don't miss Bright Lights After Dark, BLFJ's fabulous film blog for further, essential, movie musings.
Bright Lights Film Journal, August 2011 | Issue 73
They may not be 'peer reviewed' in the strict scholarly sense, but film studies academics and cinephiles will miss these at their peril.
The entire table of contents for Issue 73 is thus reproduced below. And don't miss Bright Lights After Dark, BLFJ's fabulous film blog for further, essential, movie musings.
Bright Lights Film Journal, August 2011 | Issue 73
From the Editor
Features
Articles
- Carnivorous Lunar Activities: The Origins of 1980s Metamorphosis Cinema by Alex Kirschenbaum
Movies
- Misery Loves Fantasy: Kim Ki-duk's Arirang (2011) by Jonathan McCalmont
- Between Silence and Sound: Children of a Lesser God by Ian Murphy
- The Green Hornet Makes America Bossy Bottom: Who's Topping Who? by L. Andrew Cooper
- Still Hungover: Todd Phillips and Rape Culture by Terri Carney
Television
Short Features
Stars
Directors
- A Dream That Was Not All a Dream: The Films of André Delvaux by Santiago Rubín de Celis
Festivals
Columns
Books
- The Celluloid Closet, by Vito Russo. Reviewed by Mark Adnum
- Shock Value: How A Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, And Invented Modern Horror, by Jason Zinoman. Reviewed by Cynthia C. Scott
- They Live, by Jonathan Lethem. Reviewed by Chad Trevitte
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