Cult Controversies! New CINE-EXCESS eJournal launches

Updated with further contents (September 6, 2013)!

Screenshot from The Last House on the Left (Dennis Iliadis, 2009). Read Claire Henry's article about this remake of Wes Craven's 1972 film here.

Film Studies For Free is scandalously excited to announce the publication of the new peer-reviewed eJournal Cine-Excess. Like the long-running conference and festival, directed by cult film scholar Xavier Mendik, to which it is related, the Cine-Excess journal brings together leading film critics and theorists "alongside international film directors and icons to discuss debates and traditions of global cult film activity".

The special launch issue of the Cine-Excess eJournal is entitled Subverting the Senses, Circumventing Limits and is edited by Mikita Brottman and John Mercer. It is described as follows:

[Issue 1] focuses on the theme of the controversial cult image in its political, historical and aesthetic contexts. With the resurgence of critical interest in the 1980s ‘video nasties’, as well as whole new generation of films being subject to official state control, the cult image is now becoming a crucial index between the censor and the censored. In order to explore the phenomenon fully, contributions to the launch issue considers a range of controversial cult case-studies,  with the creators of these unsettling images commenting directly on these critical interpretations.

The contents for the Subverting the Senses, Circumventing Limits are listed below and you can also read the abstracts of these papers here. There is a lot more of interest going on at the Cine-Excess website, though, so do be sure to take a good look around.

• A Cult Called Django: On The Controversial Tail Of A Transnational Bandito by Austin Fisher
• From Controversy To Cult: Franco Nero On Why Django Never Dies - Interview By Xavier Mendik
• The Last House On The Left: The Redemption Of The Remake By Claire Henry 
• The Last House(s) On The Left: A Response To Claire Henry’s Article By Marc Sheffler
• 'Til (Faces Of) Death Do Us Part by Nicolo Gallio
• The Face Of Death: A Response by Director John A. Schwartz 
  House-Cleaning: Or What Its Audiences Can Tell Us About Ruggero Deodato’s Film By Martin Barker 
• Debates On The Edge Of The Park: Ruggero Deodato And Giovanni Lombardo Radice Respond - Interviews By Giovanni Memola
• "People Who Think Outside The Box": British Audiences And Asian Extreme Films By Emma Pett 
• Distributing Outside The Box: Tartan’s Development Of Asia Extreme - A Response To Emma Pett’s Article By Paul Smith
• No Pain, No Gain: Strategic Repulsion And The Human Centipede By Steve Jones 
• More Than Just A Game: Breaking The Rules In The Bunny Game by Jenny Barrett
• My Monsterpiece: An Art Film By Rodleen Getsic
• An Official Afterword: The BBFC Responds To The Launch Issue Of The Cine-Excess eJournal 
• Hammer Has Risen From The Grave A.D. 2012 Conference Report By Mark Mckenna 
• The Cultural Mythology Of The Snuff Movie Conference Report By Mark Adams
• Sitges International Fantastic Film Festival Of Catalonia 4th-14th October 2012 Review By Xavier Mendik 
• • Notes On Contributors
  • Acknowledgements

More about → Cult Controversies! New CINE-EXCESS eJournal launches

Four Issues of INTENSITIES: The Journal of Cult Media and a Call for Papers

Screencap from the credit sequence of Games (Curtis Harrington, 1967). Read Steven Jay Schneider's 2003 article for Intensities in which he discusses this and other cult psychological thrillers and horror films.

Film Studies For Free just bumped into the new online incarnation of Intensities, the wonderful journal of cult media studies. Oh yes!

Always a highly innovative and valuable project, Intensities was first launched at Cardiff University in 2001 under the editorship of Matt Hills and Sara Gwenllian Jones. As its new website tells us, it later moved to Brunel University, where it was edited by David Lavery. The journal has relaunched in 2013 with Leon Hunt as its new editor and will publish two issues a year. The journal addresses all aspects of cult media including cult television, cult film, cult radio, cult comics, literary cults and cult authors, new media cults, cult figures and celebrities, cult icons, musical cults, cult geographies, historical studies of media cults and their fandoms, cult genres (e.g. science fiction, horror, fantasy, pulp fiction, Manga, anime, Hong Kong film etc.), non-generic modes of cultishness, theorisations of cult media, relevant audience and readership studies, and work that addresses the cult media industry.

In addition to publishing refereed essays (of between 6000 and 8000 words), Intensities also features a non-refereed Cult Media Review section which will carry shorter speculative reviews, reviews of cult phenomena (e.g. cult TV series, cult films, cult novels, science fiction, comics), short critical essays, interview transcripts, conference and convention reviews and articles about aspects of industry, fan culture, production and authorship.

Intensities' latest calls for papers are reproduced below, as are the tables of (linked) contents from the excellent first four issues of this journal. Let's all wish Intensities a very happy and long online life at its new website. Its entry has been updated at FSFF's permanent listing of open access film and media studies journals.

Call for Papers
Intensities will publish two themed issues in 2013.  Essays should be between 6000 and 8000 words, referenced Harvard style and sent as a word document – a 200 word abstract should be sent as a separate document.
Issue 5 Comic Book Intensities – Comics and Cult Media
The first new issue seeks submissions dealing with comics as cult media.  Topics might include:

• Cult comic book auteurs – Grant Morrison, Alan Moore, Mark Millar, Joss Whedon.
• Cult films from comics – Cinefumetti, Manga and Anime, the Turkish KIlink films, Dredd 3D.
• National and international comic book cultures – French bandes dessinees, Italian fumetti, Japanese Manga.
• Comic book fan cultures – Cosplay and beyond.
• Underground and alternative traditions.
• Beyond the cape and mask – neglected comic book genres.
• From EC to Dark Horse – Horror comics.

Deadline extended to Friday March 1^st 2013

Issue 6 Historical Approaches to Cult TV
This issue seeks submissions examining TV shows that have acquired cult status at a historical distance – both established cult shows (The Avengers, The Prisoner, the ‘classic’ series of Doctor Who) and those that have received less (or possibly even no) critical attention.  In addition, the papers will locate those shows historically, either by drawing on archive materials or suggesting new cultural, historical or institutional contexts in which they might be understood. Deadline for submissions: May 31^st 2013

Intensities: The Journal of Cult Media 4 – Mysterious Bodies (2007)

Special Issue – Mysterious Bodies
Guest Editors: Rayna Denison and Mark Jancovich

• Rayna Denison and Mark Jancovich, ‘Introduction’ Jancovich_Intro
• Mark Jancovich, ‘An Unidentified Species: Horror, the Body and Early Television’ Jancovich, Unidentified Species
• Lincoln Geraghty, ‘Painted Men and Salt Monsters: The Alien Body in 50s and 60s American Science Fiction Television’ Geraghty, Painted Men and Salt Monsters
• Milly Williamson, ‘Television, Vampires and the Body: Somatic Pathos’ Williamson, Television, Vampires and the Body
• Matt Hills, ‘”Gothic” Body Parts in a “Postmodern” Body of Work? The Hinchcliffe/Holmes Era of Doctor Who (1975-77)’ Hills, Gothic Body Parts in Postmodern Body of Work
• Rayna Denison, ‘The Muppet Show: Sex and Violence: Investigating the Complexity of the Television Body’ Denison, The Muppet Show Sex and Violence
• Rebecca Feasey, ‘Investigating Angel: The Hair, the Car and the Wardrobe’ Feasey, Investigating Angel
• Peter Hutchings, ‘Welcome to Royston Vasey: Grotesque Bodies and the Horror of Comedy in The League of Gentlemen‘ Hutchings, Welcome to Royston Vasey
• Elke Weissman, ‘The Victim’s Suffering Translated: CSI: Crime Scene Investigation and the Crime Genre’ Weissmann, Victim’s Suffering Translated
• Julian Savage, ‘The Lost Cult of Wake in Fright‘ Savage, Lost Cult of Wake in Fright

Intensities: The Journal of Cult Media 3 – Horror Issue (Spring 2003)

Edited by Matt Hills and Sara Gwenllian Jones

• Steven Jay Schneider, ‘Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror’ Schneider, Murder as Art
• I.Q. Hunter, ‘Even Baser Instincts: Notes on Hollow Man‘ Hunter, Even Baser Instincts
• Stephen Harper, ‘”They’re Us”: Representations of Women in George Romero’s ‘Living Dead’ Series’ Harper, They’re Us
• Kate Egan, ‘The Amateur Historian and the Electronic Archive: Identity, Power, and the Function of Lists, Facts and Memories on “Video Nasty”-themed Websites’ Egan, The Amateur Historian and the Electronic Archive
• Linda C. Badley, ‘Spiritual Warfare: Postfeminism and the Cultural Politics of the Blair Witch Craze’ Badley, Spiritual Warfare

Intensities: The Journal of Cult Media 2 (Autum/Winter 2001)

Edited by Matt Hills and Sara Gwenllian Jones

• Marie-Laure Ryan, ‘From The Truman Show to Survivor: Narrative versus Reality in Fake and Real Reality TV’ Ryan, From The Truman Show to Survivor
• William D. Routt, ‘Bad for Good’ Routt, Bad for Good
• Mark Jancovich, ‘Placing Sex: Sexuality, Taste and Middlebrow Culture in the Reception of Playboy Magazine’ Jancovich, Placing Sex
• Bertha Chin and Jonathan Gray, ‘”One Ring to Rule Them All”: Pre-Viewers and Pre-Texts of the Lord of the Rings Films’ Chin and Gray, One Ring to Rule Them All
• Will Brooker, ‘The Many Lives of the Jetman: A Case Study in Videogame Analysis’ Brooker, Many Lives of the Jetman
• Intensities interviews Henry Jenkins @Console-ing Passions, University of Bristol, July 7th 2001 Intensities interviews Jenkins
• Ben Talbot, Conference Review: Compete, Command and Conquer – Playing for Space at the International Games Cultures Conference Talbot, Compete, Command and Conquer

Intensities 1 (Spring/Summer 2001)

Edited by Matt Hills and Sara Gwenllian Jones

• Lynette Russell and Nathan Wolski, ‘Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial’ Russell_Wolski
• Mark McLelland, ‘Why Are Japanese Girls’ Comics Full of Boys Bonking?’ McLelland
• Alan McKee, ‘Which is the Best Doctor Who story? A Case Study in Value Judgements Outside the Academy’ McKee
• Patricia MacCormack, ‘Becoming Hu-Man: Deleuze and Guattari, Gender and Third Rock from the Sun‘ MacCormack
• Annette Hill and Ian Calcutt, ‘Vampire Hunters: the Scheduling and Reception of Buffy the Vampire Slayer and Angel in the UK’ Hill_Calcutt
• Will Brooker, ‘Parallel Earths: Diana 2000 – a Review Essay’ Brooker_Earths

More about → Four Issues of INTENSITIES: The Journal of Cult Media and a Call for Papers

Film,Television and Media Studies articles in STUDIES IN POPULAR CULTURE

Framegrab of Rooney Mara as 'final girl' Nancy Holbrook in the 2010 remake of A Nightmare On Elm Street (Samuel Bayer, 2010). Read Kyle Christensen's article on this film's source text ('The Final Girl versus Wes Craven's A Nightmare on Elm Street: Proposing a Stronger Model of Feminism in Slasher Horror Cinema'), and also check out Film Studies For Free's entry of links to 'Final Girl' Studies

Below, Film Studies For Free links to the entire online contents, to date, of the excellent Open Access journal Studies in Popular Culture: a list of more than 60 great articles on film, television and media studies. 

The journal of the US Popular Culture Association / American Culture Association in the South, SPC dates back, in its offline, print version, to 1977, making it one of the oldest, continuously published academic journals to treat audiovisual media.  

SPC has been online since 2006 and is a wonderful example of how an online presence indicates no necessary lowering of the quality bar for a properly peer-reviewed journal. 


29.1 October 2006 [Go here for an online table of contents)

• "Reinventing the Hero: Gardner's Grendel and the Shifting Face of Beowulf in Popular Culture" -- Michael Livingston and John William Sutton 
• "Cowboys, Indians, and Iraq: Jessica Lynch, Loria Pestewa, and the Great American Makeover." -- Gioia Woods
• "Artistic Schizophrenia: How Fight Club's Message is Subverted by its Own Nature" -- Kyle Bishop
• "Michael, Are You Okay? You've Been Hit By a Smooth Criminal: Racism, Contraversy, and Parody in the Video Clips "Smooth Criminal" and "You Rock My World." -- Elenda Oliete
• "'Sigmund Freud, Analyze This': How Madonna Situates "Die Another Day" Beyond the Pleasure Principle" -- David Sigler 

30.2 Spring 2008 [Go here to find a PDF of the entire issue]

• Little America: R.E.M., Howard Finster, and the Southern "Outsider Art" Aesthetic -- Matthew Sutton
• Brokeback Mountain: Masculinity and Manhood -- James R. Keller and Anne Goodwyn Jones
• Race, Crime, and Motherhood in George Pelecanos's Soul Circus -- Alexander Pitofsky
• The Politics of Talk: The Oprah Interview as Narrative -- Sarah Henstra
• Survival of the Stereotypical: A Study of Personal Characteristics and Order of Elimination on Reality Television -- Bryan E. Denham and Richelle N. Jones
• A Car of Her Own: Volvo's "Your Concept Car" as a Vehicle for Feminism? -- Roy Schwartzman and Merci Decker
• Trainspotting, High Fidelity, and the Diction of Addiction -- Scott Stalcup 

31.1 Fall 2008 [Go here to find a pdf of the entire issue]

• From the Editor: Popular Culture of the Past 
• From Apicius to Gastroporn: Form, Function, and Ideology in the History of Cookery Books -- Abigail Dennis
• Queer Investigations: Foxy Ladies and Dandy Detectives in American Dime Novels -- Pamela Bedore
• Literary Art in an Age of Formula Fiction and Mass Consumption: Double Coding in Arthur Conan Doyle’s “The Blue Carbuncle” -- Nils Clausson 
• Lost Girl: Diminishing Dorothy of Oz -- SydneyDuncan
• The Protean Character of Jello, Icon of Food and Identity -- Susan Grove Hall
• Gazing on Fu-Manchu: Obscurity and Imperial Crisis in the Work of Sax Rohmer -- Rebecca Wingfield
• “To Renew the Old World”: Record Collecting as Cultural Production -- Kevin Moist 

31.2 Spring 2009 [Go here to find a pdf of the entire issue]

• From the Editor: Popular Culture's "Material and Conceptual Conditions 
• Fast Food Frontiers: I've Got a Feeling We're Not in Kansas Anymore -- Minjoo Oh
• Sexed Appeals: Network Marketing and Adult Home Novelty Parties -- Dawn Heinecken 
• Popularizing HIgh Culture: Zemeckis's Beowulf -- Kathleen Forni
• Fear and Loathing in Knoxvegas: Representations of the "Other" in the Official Press Before and During the 1982 Knoxville World's Fair -- Stephen Bales and Charlie Gee
• Paul Reveres of Early Radio: The Boy Scouts and the Origin of Broadcasting -- Noah Arceneaux 
• The Legend of Sacco and Vanzetti: Keeping the Story Alive on the Political Left in Literature, Song, and Film -- Ron BrileyTamenicia or Tammy; James or Jim Bob; Bessie or Heather: Patterns and Significance of Choosing Names for American Babies -- Claude J. Smith, Jr. 

32.1 Fall 2009 [Go here to find a PDF of the Entire Issue]

• From the Editor: Moral Choices in the Art of Popular Culture
• "Spiritual Warfare" and Intolerance in Popular Culture: The Left Behind Franchise, the Commodification of Belief, and the Consequences for Imagination -- Marnie Jones
• The Narcissism of Bipartisanship: Accessing Ann Coulter on the Internet -- Lindsey Ives
• "Not Like Other Men"?: The Vampire Body in Joss Whedon's Angel -- Lorna Jowett
• "...long before the stars were torn down ...": Sam Shepard and Bob Dylan's "Brownsville Girl" -- Katherine Weiss 
• Death and Magic in Clive Barker's Lord of Illusions: A Terror Management Perspective -- Jonathan Bassett
• Disneyfying Dickens: Oliver and Company and The Muppet Christmas Carol as Dickensian Musicals -- Marc Napolitano 
• Even a Tramp Can Dream: An Examination of the Clash Between "High Art" and "Low Art" in the Films of Charlie Chaplin -- Richard Ward 

32.2 Spring 2010 [Go here to find a pdf of the entire issue]

• From the editor: No Monoliths Here
• Striking Back Without Missing a Beat: Radical Responses to Domestic Violence in Country Music’s The Dixie Chicks and Salsa’s Celia Cruz -- Delia Poey
• “But This Is the South”: Ambivalent Regionalism in Jan Karon’s Mitford Novels -- Eleanor Hersey Nickel
• Adapting Shakespeare for Star Trek and Star Trek for Shakespeare: The Klingon Hamlet and the Spaces of Translation -- Karolina Kazimierczak
• The Jesus Fish: Evolution of a Cultural Icon -- Todd Edmondson
• The Politics of the "Open" Self: America in the Cinemas of King Vidor and Robert Altman -- Margaret Hrezo and William E. Hrezo
• Like a “Whopper Virgin”: Anthropological Reflections on Burger King’s Controversial Ad Campaign -- Ty Matejowsky 
• The Portrayal of Racial Minorities on Prime Time Television: A Replication of the Mastro and Greenberg Study a Decade Later -- Elizabeth Monk-Turner, Mary Heiserman, Crystle Johnson, Vanity Cotton, and Manny Jackson 

33.1 Fall 2010 [Go here to find a pdf of the entire issue]

• From the editor: Theory and Practice
• What's Entertainment? Notes Toward a Definition -- Stephen Bates and Anthony J. Ferri 
• Popular Fiction Studies: The Advantages of a New Field -- Matthew Schneider-Mayerson
• Interpretive Methodology from Literary Criticism: Carnivalesque Analysis of Popular Culture: Jackass, South Park, and ‘Everyday’ Life -- Gulnara Karimova
• The Cinematic and Historic Weight of Stone of Destiny -- Lynnette Porter
• Ken Follett and the Scribbler's Trade: A Midnight Train to Somewhere -- Carlos Ramet
• The “Aquatic Zionist” in The Yiddish Policemen's Union -- Bennett Kravitz
• “Tons of Useful Stuff”: Defining Wellness in Popular Magazines -- Carol-Ann Farkas 

33.2 Spring 2011 [Go here to find a PDF of the entire issue]

• From the editor: Cultural Fragments, Cultural Flowers
• My Vampire Boyfriend: Postfeminism, “Perfect” Masculinity, and the Contemporary Appeal of Paranormal Romance -- Ananya Mukherjea
• “Thou Shalt Not Crave Thy Neighbor” : True Blood, Abjection, and Otherness -- Sabrina Boyer
• Mad Men's Color Schemes: A Changing Palette of Working Women -- Katherine Gantz
• The Revolution Will Be Soooo Cute: YouTube “Hauls” and the Voice of Young Female Consumers -- Laura Jeffries
• Outsider Nostalgia in Dazed and Confused and Detroit Rock City -- Carey L. Martin
• The Beatles and the Art of the Tambourine -- Steven Hamelman
• Outsourced: Crime Stories, New World Horrors, and Genre -- Jonathan L. Crane 

34.1 Fall 2011 [Go here to find a PDF of the entire issue]

• From the editor: Art for Someone Else's Sake
• Protecting a City’s Image: The Death of Las Vegas Beat, 1961 -- Larry Dale Gragg
• The Final Girl versus Wes Craven's A Nightmare on Elm Street: Proposing a Stronger Model of Feminism in Slasher Horror Cinema -- Kyle Christensen
• “And I Started Wondering . . .”: Voiceover and Conversation in Sex and the City -- Ashli Dykes
• Refrigerator Design and Masculinity in Postwar Media, 1946-1960 -- Paul Gansky
• Pop Culture, Politics, and America's Favorite Animated Family: Partisan Bias in The Simpsons? -- Kenneth Michael White and Mirya Holman
• Evaluating the Presence of Social Strain in Rockstar Games’ Grand Theft Auto IV -- Patrick Osborne

More about → Film,Television and Media Studies articles in STUDIES IN POPULAR CULTURE

New SCOPE: Chris Marker, Cult cinema, Dance on Film, 1970s Film Theory

Image from The Company (Robert Altman, 2003)

Today, Film Studies For Free is thrilled to point you in the tremendous direction of the latest contents of Scope: An Online Journal of Film and Television Studies. There's lots to recommend in this issue but FSFF particularly enjoyed Katharina Lindner's article on the female dancer on film, along with numerous, wonderful book reviews and conference reports, all part of the fabulous and openly accessible service that Scope provides to the international film studies community.

Scope, Issue 20, June 211

Articles

• Pasts and Futures of 1970s Film Theory Matthew Croombs
• Cultivating the Cult Experience at the Alamo Drafthouse Cinema Donna de Ville
• Spectacular (Dis-) Embodiments: The Female Dancer on Film  Katharina Lindner
• Chris Marker and the Audiovisual Archive Oliver Mayer

• [ALL ARTICLES ON ONE PAGE]

Book Reviews

• Hollywood Independents: The Postwar Talent Takeover by Denise Mann  
  100 American Independent Films, 2nd edition; The Contemporary Hollywood Reader  Reviewer: Gareth James
• Documentary Display: Re-Viewing Nonfiction Film and Video by Keith Beatti Reviewer: Jeffrey Gutierrez
• Film Festival Yearbook 1: The Festival Circuit by Dina Iordanova with Ragan Rhyne (eds); Dekalog 3: On Film Festivals Reviewer: Linda Hutcheson
• Mabel Cheung Yuen-Ting's An Autumn's Tale by Stacilee Ford; John Woo's The Killer Reviewer: Lin Feng
• Responses to Oliver Stone's Alexander: Film, History, and Cultural Studies by Paul Cartledge and Fiona Rose Greenland (eds); Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film Reviewer: Andrew B.R. Elliott
• Research Guide to Japanese Film Studies by Abe Mark Nornes and Aaron Gerow; The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs Reviewer: Jonathan Wroot
• Chapaev by Julian Graffy; Leni Riefenstahl: A Life Reviewer: Andrei Rogatchevski
• Harmony and Dissent: Film and Avant-garde Art Movements in the Early Twentieth Century by R. Bruce Elder; Moving Viewers: American Film and the Spectator's Experience Reviewer: Caroline Hagood
• Reworking the German Past: Adaptations in Film, the Arts, and Popular Culture by Susan G. Figge and Jenifer K. Ward (eds); The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century Reviewer: Matthias Uecker
• Stellar Encounters: Stardom in Popular European Cinema by Tytti Soila (ed); Claude Rains: An Actor's Voice Reviewer: Rachael Johnson
• Alternative Film Culture in Inter-War Britain by Jamie Sexton; The Lost World of Cliff Twemlow: The King of Manchester Exploitation Movies; The British 'B' Film Reviewer: Laurence Raw
• Elia Kazan: The Cinema of an American Outsider by Brian Neve; Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture, Volume 1 Reviewer: Mildred Lewis
• First Person Jewish by Alisa S. Lebow; Neo-Noir Reviewer: Marat Grinberg

• [ALL BOOK REVIEWS ON ONE PAGE]

Film Reviews

• Shadows of Progress: Documentary Film in Post-war Britain (1951-1977) Reviewer: Dai Vaughan
• Bonnie and Clyde Reviewer: Ian Murphy
• Cracks & Tell-Tale; Robin Hood; The A-Team  Reviewer: Laurence Raw
• The Karate Kid & The Karate Kid Reviewer: Rachel Mizsei Ward

• [ALL FILM REVIEWS ON ONE PAGE]

Conference Reports

• Flow Conference 2010, University of Texas, Austin, 30 September–2 October 2010 Reporter: Kelly K. Ryan and Heather Muse
• Women's Filmmaking in France 2000-2010, Institut Français, London, 2–4 December 2010 Reporter: Sarah Forgacs
• MeCCSA Conference: Media, Communication and Cultural Studies Association, University of Salford, 12–14 January 2011 Reporter: Greg Bevan
• ¡Documentary Now!, University of Westminster, London, 28–30 January 2011 Reporter: Philippa Daniel
• Rendering the Visible Conference, Georgia State University, 10–14 February 2011 Reporter: Drew Ayers and Steven Pustay
• Erotic Screen and Sound: Culture, Media and Desire Conference, Griffith University, Brisbane, 15–18 February 2011 Reporter: Michelle A. Mayefske
• SCMS 2011: Media Citizenship, Society for Cinema and Media Studies, Ritz-Carlton Hotel, New Orleans, 10–13 March 2011 Reporter: Shana MacDonald

• [ALL CONFERENCE REPORTS ON ONE PAGE]

More about → New SCOPE: Chris Marker, Cult cinema, Dance on Film, 1970s Film Theory