All That Film Pastiche Allows: Fifty+ Online Studies

All That Pastiche Allows by Catherine Grant

"[Pastiche] can, at its best, allow us to feel our connection to the affective frameworks, the structures of feeling, past and present, that we inherit and pass on. That is to say, it can enable us to know ourselves affectively as historical beings."
Richard Dyer, Pastiche (London and New York: Routledge, 2007)

Film Studies For Free today presents a whole host of links to studies of cinematic pastiche. It begins with the above video -- the latest in FSFF's experiments in videographic comparison -- which is designed to afford its viewers a space for real-time co-contemplation of the opening titles sequences of All That Heaven Allows (Douglas Sirk, 1955) and its 'pastiche' Far From Heaven (Todd Haynes, 2002).

• Salomé Aguilera Skvirsky, The Price of Heaven: Remaking Politics in All That Heaven Allows, Ali: Fear Eats the Soul, and Far From Heaven', in The Ethnic Turn: Studies in Political Cinema from Brazil and the United States, 1960-2002, PhD Thesis, University of Pittsburgh, 2009 (scroll to p. 194)
• Deborah Allison, 'Novelty title sequences and self-reflexivity in classical Hollywood cinema', Screening the Past, 20, 2006
• Lee Barron, 'Droogs, electro-voodoo and kyborgs: pastiche, postmodernism and Kylie Minogue live', Nebula, 2009  
• Tilman Baumgärtel, 'Imitation, Indigenization, Assimilation? No, Globalization!: The Cinema of Bobby Suarez', Asia Culture Forum, 2006
• Katherine Biber, 'The Threshold Moment: Masculinity at Home and on the Road in Australian Cinema', Limina, Vol. 7, 2001
• Norman Bryson, 'Todd Haynes's Poison and Queer Cinema', Invisible Culture - An Electronic Journal for Visual Culture Issue 1, Winter 1999
• Cüneyt Çakirlar, 'Cinephilic Bodies: Todd Haynes's Cinema of Queer Pastiche', KÜLT: A Journal of Cultural Studies 1:1, April 2011
• Brigid Cherry, 'From Cult to Subculture: Re­imaginings of Cult Films in Alternative Music Video' Scope, 15, 2010
• Simon Chia-rong Wu, 'Gender Pastiche: Thai Queerness in Beautiful Boxer', Cultural Studies Monthly, 78, 2008
•  E. Anna Claydon, 'British South Asian Cinema and Identity II:'When did Mr Collins become the 'Ugly American'? Representing America in the films of Gurinder Chadha'', South Asian Cultural Studies, 2009, 2 (2)
• Amelia DeFalco, 'A Double-Edged Longing: Nostalgia, Melodrama, and Todd Haynes’s Far From Heaven,' Iowa Journal of Cultural Studies, No. 5
• Cynthia Duncan, 'Reading Angeles Mastretta's Arráncame la vida through the Lens of Mexico's Golden Age of Cinema', Rocky Mountain Review, 63.2, 1997
  
• Richard Dyer, 'Tales of Plagiarism And Pastiche', Nino Rota: Music, Film and Feeling (London: Palgrave/BFI, 2010)  (27 free pages) Book info. 
• Darren Elliott, 'Queering the Cult of Carrie: Appropriations of a Horror Icon in Charles Lum's Indelible', Scope, 15, 2010
• Thomas Elsaesser, European Cinema: Face to Face with Hollywood(Amsterdam University Press, 2005)
• Thomas Elsaesser, Fassbinder's Germany: History, Identity, Subject (Amsterdam University Press, 1996)
• Laura E. Felschow, Todd Haynes: the Public, the Private, and the Performative, PhD Thesis, University at Buffalo, State University of New York, February 1, 2009 
• T Ferrero-Regis, 'Cinema On Cinema: Self-reflexive Memories in Recent Italian History Films', transformationsjournal.org, Issue 3, 2002 
• Lucy Fischer, 'Modernity and Postmaternity: High Heels and Imitation of Life', in Horton, Andrew Horton (ed.), Play it again, Sam: retakes on remakes. Berkeley: University of California Press, 1998)  
• Caryl Flynn,The New German Cinema: Music, History, and the Matter of Style. Berkeley: University of California Press, 2004
• Catherine Grant, 'In authenticity: Douglas Sirk and the Sirkian Melodrama', Film Studies For Free, September 21, 2010
• Catherine Grant, 'On Todd Haynes: Happy Independence Day!', Film Studies For Free, July 4, 2010 
• Catherine Grant, New Todd Haynes' Masterclass', Film Studies For Free, November 27, 2011
• Catherine Grant, 'Storytelling sans frontières? On Adaptation, Remaking, Intertextuality, and Transmediality', Film Studies For Free, November 21, 2009
• Val Hill, 'Postmodernism and cinema', in S. Sim (ed.), The Routledge companion to postmodernism (Lndon: Routledge, 2000)
• Dom Holdaway, 'Da fatti realmente accaduti: Performing History in Contemporary Italian Cinema', New Readings 11 (2011)
• Marlie Centawer Huisman, ' Representations of Swinging London in 1960s British Cinema: Blowup (1966), Smashing Time (1967) and Performance (1970)', MA Thesis, Brock University, St. Catharines, Ontario, May 2011
• Kate Ince, 'Francois Ozon's cinema of desire', in Ince (ed.), Five Directors: Auteurism from Assayas to Ozon (Manchester University Press, 2008)
• Shen Jiang, Nostalgia in Contemporary Chinese Cinema (1993-2008): A Reflection of China's Socio-Cultural Postmodernity, PhD Thesis, University of Canterbury, 2010
• Lynne Joyrich, 'Written on the Screen: Mediation and Immersion in Far from Heaven', originally published in Camera Obscura, 54, Volume 18, Number, 2003
• Jordan Lavender-Smith, 'Irony Inc.: Parodic-Doc Horror and The Blair Witch Project', Scope, 15, 2010
• James MacDowell, 'Beneath the Surface of Things: Interpretation and Far From Heaven', Offscreen Journal, Volume 10, Issue 5 (May 31, 2006)
• Norimasa Morita, 'Avant-garde, Pastiche, and Media Crossing: Films of Terayama Shūji', Waseda Global Forum No. 3, 2006
• Chi Hyun Park, Orientalism in U. S. Cyberpunk Cinema from Blade Runner to The Matrix, PhD Thesis, The University of Texas at Austin, May 2004
• Jack Post, 'The Ambiguity of Weeping. Baroque and Mannerist Discourses in Haynes’ Far from Heaven and Sirk’s All That Heaven Allows', Image and Narrative, 13.2, 2012 
• James Ricci, Attractions and Negotiations of Film Noir in American Cinema and Culture, PhD Thesis, University of South Florida, April, 2008
• Niall Richardson, 'Poison in the Sirkian System: The Political Agenda of Todd Haynes's Far From Heaven', Scope, Issue 6, October 2006
• Timothy Robinson, 'Cultural Value in Historical Pastiche: Reclaiming the Past as Modern ‘Parody’ and Postmodern ‘Pastiche’ in The Hours and Marie Antoinette', Honors Thesis, The College of William and Mary, 2008
• Richard Rushton, 'Douglas Sirk’s Theatres of Imitation', Screening the Past, Issue 21, 2007
• Rebecca Scherr, '(Not) queering “white vision” in Far from Heaven and Transamerica', Jump Cut, No. 50, spring 2008 
• Robert Stam, 'Hybridity and the Aesthetics of Garbage: the Case of Brazilian Cinema', E.I.A.L. ESTUDIOS INTERDISCIPLINARIOS DE AMERICA LATINA Y EL CARIBE, Vol. 9, No. 1, enero-junio 1998 (Cultura visual en América Latina, Editor invitado: John Mraz)
• Sunny Stalter, 'Down With Love/Far From Heaven', Scope, May 2004  
• Will Straw, 'Mannerism in Recent Cinema', Cultural Studies, 1987
• Margaret M. Toscano, 'Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?', Film and History, Volume 39.2, Fall 2009
• Michael Töteberg, 'Ali: Fear Eats the Soul: All That Fassbinder Allows', The Criterion Collection, June 23, 2003
• Mary Traester, 'Hysteria and Ruin: Feminine Immobility And the Problem of Representation in Todd Haynes’s Far from Heaven', COLT Symposium, April 15, 2008 
• Keith Uhlich, 'Todd Haynes', Senses of Cinema, July 2002
• Tony Veale, and M. T. Keane (1997). A Computational Treatment of Metaphoric Blends with Special Regard to Cinematic "Borrowing", in the proceedings of Mind II: Computational Models of Creative Cognition, Dublin, Ireland, 1997
• Sharon Willis, 'Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk', originally published in Camera Obscura, 54, Volume 18, Number, 2003 
• Chris Wisniewski, 'Far from Heaven', Reverse Shot, - Proposition 24: Defining a New Queer Cinema', 2009
• Jonathan Wright, '[Review of] Re-remembering History in Contemporary Film: Pam Cook (2005) Screening the Past: Memory and Nostalgia in Cinema', Film-Philosophy, 10.1, 2006
• Neelam Sidhar Wright, Bollywood eclipsed : the postmodern aesthetics, scholarly appeal, and remaking of contemporary popular Indian cinema. PhD thesis, University of Sussex, 2010
• Neelam Sidhar Wright, '"Tom Cruise? Tarantino? E.T.? ...Indian!": Innovation through Imitation in the Cross-cultural Bollywood Remake', Scope, 15, 2010
• Rie Yamasaki, 'The films of Mitani Kōki: Intertextuality and comedy in contemporary Japanese cinema', New Voices, Volume 4, January 2011

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Tenth Anniversary SCOPE !! On Cultural Borrowings: Appropriation, Reworking, Transformation

Sissy Spacek as Carrie (Brian de Palma, 1976). See Queering the Cult of Carrie: Appropriations of a Horror Icon in Charles Lum's Indelible by Darren Elliott in the new Scope issue

Hooray! It's OUT. Film Studies For Free has been checking almost every day for a couple of months now because it knew that an amazing issue of Scope: an online journal of film and tv studies -- its TENTH anniversary issue -- was just about to be published. It's here now *Scope* # 15: an issue and  an e-book -- see the contents links below -- and contains some fantastic items of film and media studies. 

Congratulations to the whole editorial team at Scope, who do a fabulous job. These have been ten great years of remarkably high quality and FREELY ACCESSIBLE scholarly works. Thank you.


Cultural Borrowings: Appropriation, Reworking, Transformation
Edited by Iain Robert Smith

Notes on Contributors

Acknowledgements Iain Robert Smith

Foreword: Scope's Tenth Anniversary  Mark Gallagher and Julian Stringer

Introduction Iain Robert Smith

Part I: Hollywood Cinema and Artistic Imitation

Exploitation as Adaptation I. Q. Hunter

The Character-Oriented Franchise: Promotion and Exploitation of Pre-Sold Characters in American Film, 1913-1950 Jason Scott

Novelty through Repetition: Exploring the Success of Artistic Imitation in the Contemporary Film Industry, 1983-2007 Stijn Joye

Part II: Found Footage and Remix Culture

A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet Eli Horwatt

Ethical Possession: Borrowing from the Archives Emma Cocker

Music Videos and Reused Footage Sérgio Dias Branco

Part III: Modes of Parody and Pastiche

From Cult to Subculture: Re­imaginings of Cult Films in Alternative Music Video Brigid Cherry

Queering the Cult of Carrie: Appropriations of a Horror Icon in Charles Lum's Indelible Darren Elliott

Irony Inc.: Parodic-Doc Horror and The Blair Witch Project Jordan Lavender-Smith

Part IV: Transnational Screen Culture

A Marxist's Gotta Do What a Marxist's Gotta Do: Political Violence on the Italian Frontier Austin Fisher

"Tom Cruise? Tarantino? E.T.? ...Indian!": Innovation through Imitation in the Cross-cultural Bollywood Remake Neelam Sidhar Wright

"La Television des Professeurs?": Charles Dickens, French Public Service Television and Olivier Twist Pamela Atzori

More about → Tenth Anniversary SCOPE !! On Cultural Borrowings: Appropriation, Reworking, Transformation

Storytelling sans frontières? On Adaptation, Remaking, Intertextuality, and Transmediality

Still from the trailer for (The Twilight Saga:) New Moon (Chris Weitz, 2009)

Another rather long links list today, this time on one of Film Studies For Free's author's main research specialisms: adaptation (and remaking, 'remediation', 'transmediality') and intertextuality. The list -- as always of direct links to openly-accessible scholarly resources -- is particularly meaty in celebration of a very cool happening. A proposed contribution by her on these topics to a panel at the Los Angeles Society of Cinema and Media Studies annual conference in 2010 was accepted this week (woohoo!).

A video-essay version of this work -- entitled 'Intertextuality and Anomalousness: Luis Buñuel’s The Young One (1960)' -- part of a great panel called 'Looking Backwards and Thinking Forwards: Engaging the Cinema of 1960 with Multimedia Scholarship' will appear on this website in due course...

So, in celebration of the above, do please enjoy the following links to very high quality scholarly resources on adaptation and narrative transmediality, with a nice little video embedded at the very end:

• Gunhild Agger, 'Intertextuality Revisited: Dialogues and Negotiations in Media Studies', Canadian Aesthetics Journal / Revue canadienne d'esthétique, Volume 4, Summer/Été 1999

• Joseph Aisenberg, 'Re-examining the Crossed Wires in Kubrick's and Burgess' A Clockwork Orange', Bright Lights Film Journal, No. 61, August 2008

• William Arighi, 'Beyond Black and White: Structural Liminality and Slave Insurrection', Portals: A Journal in Comparative Literature, 2006

• Genilda Azerêdo, 'From Emma to Clueless: ironic representations of Jane Austen1',  Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 51 (2006)

• Martin Ball, 'Cultural Values and Cultural Death in The Lord of the Rings', Australian Humanities Review, January 2003

• Charles Bane, 'Viewing Novels, Reading Films: Stanley Kubrick and the art of adaptation as interpretation, PhD e-thesis, Louisiana State University 2006

• André Bazin, on René Clement and literary adaptation: Two original reviews

• Richard Berger, ‘Are There Any More at Home Like You?’: Rewiring Superman', Journal of Adaptation in Film & Performance, Vol. 1, Issue 2, 2008

• Catharine Walker Bergström, 'Searches for the Significant: Robert Zemeckis' Cast Away as a Late Twentieth Century Response to Daniel Defoe's Robinson Crusoe' Journal of Religion and Film, Volume 9, Number 1 (April 2005)

• Gary Bettinson, 'Penning Dramatic Chance: Adaptation, Dürrenmatt, and The Pledge', Film Studies, Volume 5 (Winter 2004)

• Jack Boozer, 'Introduction: The Screenplay and Authorship in Adaptation', Authorship in Film Adaptation (Austin: University of Texas Press, 2007)

• David Bordwell, 'Now leaving from platform 1 [on transmedia storytelling]', Observations on Film Art, August 19, 2009

• Pat Brereton, 'Database Logics and New Media Convergences in Science Fiction A reading of Spielberg’s Minority Report and AI', MIT Media in Transition 6 Stone and Papyrus, Storage in Transmission Conference April 2009

• Brad Bucknell, 'Faith in the Faithless: An Inter(re)view with Linda Hutcheon', Inter(re)view.indd, February 24, 2008

• Timothy Burke, 'Less-Convergent Culture', Easily Distracted, October 7, 2009

• Sarah Cardwell, 'Present(ing) Tense: Temporality and Tense in Comparative Theories of Literature-Film Adaptation', Scope, July 2000

• Jennie Carlsten, "'Somehow the Hate has got Mislaid': Adaptation and The End of the Affair", UBCInephile,

• John Caughie, 'Small Pleasures: Adaptation and the Past in British Film and Television', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 32 (1997)

• Garrett Chaffin-Quiray, 'An Adaptation With Fangs: Herzog's Nosferatu,' Kinoeye, Vol. 2, Issue 20, December 2002

• Paul Coughlin, 'The Mark of Cain: Blood Simple and The Man Who Wasn't There', Issue 3, November 2005

• Catherine Craft-Fairchild, 'Castaway and Cast Away: Colonial, Imperial, and Religious Discourses in Daniel Defoe and Robert Zemeckis', Journal of Religion and Film, Volume 9, Number 1 (April 2005)

• Thomás Creus, 'When Harry met Zuckerman:self-reflexivity and metafiction in Philip Roth and Woody Allen', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 51 (2006)

• Mary Donaldson-Evans, 'A Medium of Exchange: The Madame Bovary Film', Dix Neuf, Number 4 (April 2005)

• Lindiwe Dovey, 'Towards an Art of Adaptation: Film and the New Criticism-as-Creation', Iowa Journal of Cultural Studies, Issue 2 - Mediations

• Kamilla Elliott, 'Introduction', Rethinking the Novel/Film Debate (Cambridge: University of Cambridge Press, 2003)

• David Foster, 'Adapting Lyricism: Clive Holden's Trains of Winnipeg and the Lyric in Film', Scope, Portals Special Issue, Issue 13, 2008

• Michael Fry, 'Researching the Method: Some Personal Strategies', Journal of Adaptation in Film & Performance, Vol. 1, Issue 2, 2008

• Christine Geraghty, Classic television: a matter of time. In: The Making and Remaking of Classic Television, 19 Mar 2009, University of Warwick

• Lincoln Geraghty, “Realities... blending as one!”: Film Texts and Intertexts in the Star Trek/X-Men Crossover Comics', MeCCSA Papers, January 2005

• Catherine Grant , 'Recognising Billy Budd in Beau Travail: Epistemology and Hermeneutics of Auteurist "Free" Adaptation', Screen ((Spring 2002)) 43 (1):57–73

• Catherine Grant, 'The "Author Function" in Transnational Film Adaptation: The case of El lugar sin límites / The Place Without Limits / Hell Has No Limits (Arturo Ripstein, Manuel Puig, José Donoso)', originally published as 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites', Revista Iberoamericana, Vol. LXVIII, Núm, 199, Abril-Junio 2002, pp. 253-268

• Yvonne Griggs, 'Ran: Chaos on the ‘Western’ Frontier', Journal of Adaptation in Film & Performance, Vol. 1, Issue 2, 2008

• Asbjørn Grønstad, 'The Gaze of Tiresias: Joyce, Rossellini and the Iconology of "The Dead"', Nordic Journal of English Studies, Vol. 1, No. 2, 2002

• Richard Grusin, 'Dvds, video games, and the cinema of interactions', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 51 (2006)

• Sandra Guardini T. Vasconcelos, 'Literature and cinema: images of femininity in pride and prejudice', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 42 (2002)

• Brian Henderson,'Tense, Mood, and Voice in Film: (Notes after Genette)', Film Quarterly: Forty Years—A Selection, Edited By Brian Henderson and Ann Martin with Lee Amazonas (Berkeley: University of California Press, 1999)

• Lori Hitchcock, 'Third Culture Kids: A Bakhtinian Analysis of Language and Multiculturalism in Swallowtail Butterfly', Scope, February 2004

• Andrew Horton, Play it again, Sam: Retakes on Remakes. Berkeley: University of California Press, 1998

• Linda Hutcheon, 'From Page to Stage to Screen, Inaugural Lecture, January 27, 2003

• Mikhail Iampolski, The Memory of Tiresias: Intertextuality and Film. Berkeley: University of California Press, 1998

• Tim Iles, 'The Matrix and the Subversion of Wu xia: Reasserting the Hollywood Ideological Hegemony', Scope, Issue 8, June 2007

• Mark Jancovich, 'Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s', Particpations, Vol. 6, Issue 1, May 2009

• Henry Jenkins, Confessions of an Aca/Fan: Archives: The Aesthetics of Transmedia: In Response to David Bordwell (Part One) ; Confessions of an Aca/Fan: Archives: The Aesthetics of Transmedia: In Response to David Bordwell (Part Two) ; Confessions of an Aca/Fan: Archives: The Aesthetics of Transmedia: In Response to David Bordwell (Part Three) (September 2009)

• David T. Johnson, 'Playgrounds of Unlimited Potential: Adaptation, Documentary, and Dogtown and Z-Boys', Adaptation Vol. 2 , No. 1 , pp. 1 – 16 (2009)

• David L. Kranz and Nancy C. Mellerski, 'Introduction', In/Fidelity: Essays on Film Adaptation (Newcastle: Cambridge Scholars Publishing, 2008)

• Jennifer E. Langdon, Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood (Columbia University Press, 2008)

• Thomas Leitch, 'Adaptation Studies at a Crossroads', Adaptation, 1(1), 2008 ): 63-77 (pdf)

• Phillip Lopate, 'Adapt this: Fiction into Film', Bookforum.com, June/July/Aug 2007

• Richard Maltby, "The problem of interpretation ...": authorial and institutional intentions in and around Kiss me deadly', Screening the Past, June 2000

• Alfredo Michel Modenessi, 'Disney’s “war efforts”: the lion king and Education for death, or Shakespeare made easy For your apocalyptic convenience', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies , Vol. 0, No 49 (2005)

• Kendra Preston Leonard, 'Silencing Ophelia: Male Aurality as a Controlling Element in Olivier's Hamlet', Scope, Issue 14, June 2009

• James MacDowell, 'What Value is There in Gus Van Sant's Psycho?', Offscreen Journal, Vol. 9, Issue 7, 2005

• Elizabeth Mullen, 'Do you speak Kubrick? Orchestrating Transgression and Mastering Malaise in The Shining', Image [&] Narrative, June 2009

• Sarah Neely, Adapting to change in contemporary Irish and Scottish culture: fiction to film. PhD thesis, University of Glasgow, 2003

• Thaïs Flores Nogueira Diniz, 'Is Adaptation truly an adaptation?', Ilha do Desterro, Florianópolis, no 51, p. 217- 233, jul./dez. 2006
  

• Dan North, 'Funny Games Funny Games [on Haneke's 'original' and 'remake']' Spectacular Attractions, October 15, 2009

• R. Barton Palmer, 'Introduction', Twentieth-Century American Fiction on Screen, Edited by R. Barton Palmer (Cambridge: Cambridge University Press, )
  

• R. Barton Palmer, 'Introduction', Nineteenth-Century American Fiction on Screen - Edited by R. Barton Palmer (Cambridge: Cambridge University Press, )

• Thomas Van Parys, 'Now a Major Motion Picture: Film Adaptations of Literature and Drama', Image [&] Narrative, Issue 23, November 2008

• V.F. Perkins, ''Reconsideration: Le Plaisir: "The Mask" and "The Model"', Film Quarterly (Vol. 63, No. 1, Fall 2009)

• Special Issue of Persuasions (Jane Austen Journal Online Vol. 27, No. 2, 2007) on Joe Wright's Pride & Prejudice (2005) (Jane Austen and Mud: Pride & Prejudice (2005), British Realism, and the Heritage Film Carol M. Dole; Inside Out/Outside In: Pride & Prejudice on Film 2005 Laurie Kaplan; Location, Location, Location: The Spaces of Pride & Prejudice Mary M. Chan; “What are men to rocks and mountains?” Romanticism in Joe Wright's Pride & Prejudice Sarah Ailwood; Style over Substance? Pride & Prejudice (2005) Proves Itself a Film for Our Time Catherine Stewart-Beer; Little Women at Longbourn: The Re-Wrighting of Pride and Prejudice Sally B. Palmer; A Bennet Utopia: Adapting the Father in Pride and Prejudice Barbara K. Seeber; “The Most Determined Flirt”: The Dynamics of Romantic Uncertainty in Joe Wright's Pride & Prejudice Rachel Gollay; Sex and the Scullery: The New Pride & Prejudice Jen Camden The Offending Pig: Determinism in the Focus Features Pride & Prejudice Kathleen Anderson; Joe Wright’s Pride & Prejudice: From Classicism to Romanticism Lydia Martin; “Just What a Young Man Ought to Be”: The 2005 Pride & Prejudice and Transitional Ideas of Gentility Ann M. Tandy; “I am a gentleman’s daughter”? Translating Class from Austen’s Page to the Twenty-first-century Screen Megan A. Woodworth; “A Fearsome Thing to Behold”? The Accomplished Woman in Joe Wright's Pride & Prejudice Juliette Wells; Framing Heritage: The Role of Cinematography in Pride & Prejudice Jessica Durgan; Books and Letters in Joe Wright's Pride & Prejudice (2005): Anticipating the Spectator's Response through the Thematization of Film Adaptation David Roche; Staging intimacy and interiority in Joe Wright's Pride & Prejudice (2005) Anne-Marie Paquet-Deyris; Pride and PrejudiceReloaded: Navigating the Space of Pemberley Joyce Goggin)

• Special Issue of Cinemascope on VERSIONS Remakes/Films, Versions/Parodies, No. 2, 2005 (Pierre Sorlin, 'How the Postman Rang Three Times, Or, Why Remakes are Film Analysis'; Daniel Herbert, 'The Thing as Adaptation, Remake and Version; Savas Arsian, 'Zorro of the East'; John Migliore, 'Becoming AUdience Conscious: Hitchcock and The Man who Knew Too Much'; Hans Maes, 'A Celestial Taxonomy of Remakes?'; Massimiliano Gaudiosi, 'Coversiation with Giulio Manfredonia')

• Sally Potter, 'Notes on the Adaptation of the Book Orlando', Virginia Woolf Seminar

• Stuart Price, 'Displacing the Gods? Agency and Power in Adaptations of Ancient History and Myth', Journal of Adaptation in Film & Performance, Vol. 1, Issue 2, 2008

• Luca Prono, 'Whatever Happened to Nelson Algren?: Otto Preminger’s Adaptation Of The Man with the Golden Arm', Links & Letters, 6, 1999

• Sara I. Rauma, 'Reinventing the Story: Inventions in the film adaptation The Green Mile by Frank Darabont', PhD Thesis, UNIVERSITY OF JYVÄSKYLA, 2006

• Anelise Reich Corseuil, 'Film beyond boundaries: film, migrant narratives and other media', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 51 (2006)

• Alistair Renfrew, 'Against adaptation ? the strange case of (Pod) Poruchik Kizhe.', Modern Language Review., 102 (1). 2007, pp. 157-176

• Holger Römers, '“The Moral of the Auteur Theory”: Frank Borzage’s Moonrise (and Theodore Strauss’ Source Novel)', Senses of Cinema, Issue 42, January–March 2007

• Marilyn Rose and Jeannette Sloniowski, '“Home Sweet Havoc”: Howard Engel’s Niagara in Print and Film', Journal of Canadian Studies/Revue d’études canadiennes, Volume 39, No. 3 (Automne 2005 Fall)

• Timotheos Roussos, 'An off-beat adaptation: Orlando', Philament: An Online Journal of the Arts and Culture, Issue 3, 2004

• Steven Jay Schneider, 'A Tale of Two Psychos', Senses of Cinema, 2000

• Anne-Marie Scholz, '"Josef K von 1963...": Orson Welles' ‘Americanized’ Version of The Trial and the changing functions of the Kafkaesque in Postwar West Germany', European Journal of American Studies, No. 1, 2009

• Ian S. Scott, ’"Either you bring the water to L.A. or you bring L.A. to the water": Politics, Perceptions and the Pursuit of History in Roman Polanski’s Chinatown', European Journal of American Studies, No. 2, 2002

• Barbara K. Seeber, 'A Bennet Utopia: Adapting the Father in Pride and Prejudice', Persuasions Online, V.27, NO.2 (Summer 2007)

• Carmen Siu, 'Diabolic Dialogics: Les Possédés, from Dostoevsky to Wajda', Toronto Slavic Quarterly, Issue 13, Summer 2005

• Natalia Skradol, 'Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace', Film-Philosophy, Vol. 8, No. 27, 2004

• Lesley Speed, 'A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling', Senses of Cinema, Vol. 22, September 2002

• Jason Sperb, 'The Transmedia Reconstruction of Song of the Soith', Jamais Vu, September 25, 2009

• Robert Stam, 'Hybridity and the Aesthetics of Garbage: the Case of Brazilian Cinema', E.I.A.L. ESTUDIOS INTERDISCIPLINARIOS DE AMERICA LATINA Y EL CARIBE, Vol. 9, No. 1, enero-junio 1998 (Cultura visual en América Latina, Editor invitado: John Mraz)

• D. Bruno Starrs, 'A Queer New World: Adaptation Theory and the Zeugma of Fidelity in Derek Jarman’s The Tempest', AMERICAN@ Vol. IV. Issue 1, 2006

• Lesley Stern, 'Emma in Los Angeles: Clueless as a remake of the book and the city', Australian Humanities Review, August 1997

• Karyn Stuckey, 'Lolita: a journey with Nabokov and Kubrick from the page to the screen', Archives and Auteurs Conference, University of Stirling, September 2009

• Sung-eun Cho, 'Intertextuality and Translation in Film Adaptation', Journal of British and American Studies no.12 (Jun. 2005)

• Robin Swicord, long excerpt from 'Under the Skin: Adapting Novels for the Screen',  In/Fidelity: Essays on Film Adaptation, eds David L. Kranz and Nancy C. Mellerski (Newcastle: Cambridge Scholars Publishing, 2008)

• Alex Symons, 'Mass-Market Comedy: How Mel Brooks Adapted The Producers for Broadway, and Made a Billion Dollars 2001– 2007',  Journal of Adaptation in Film & Performance, Vol. 1, Issue 2, 2008

• Antônio João Teixeira, 'The construction of national identity in Shakespeare’s King Lear and its filmic adaptation by Peter Brook', Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, Vol. 0, No 51 (2006)

• Donato Totaro, 'Psycho Redux', Offscreen Journal, 2004

• Chuck Tryon, 'Transmedia Notes', The Chutry Experiment, September 5, 2009

• Richard Vela, 'The Merchants of Venice: The Importance of Context in Film Versions of the Play', Postscript, 23, No. 2, 2006

• Constantine Verevis, 'Remaking Film', Film Studies, Issue 4, Summer 2004

• William Walling, “Saying What One Thinks: Emma-Emma-at Box Hill.” Re-reading Box Hill: The Practice of Reading the Practice of Everyday Life. Romantic Circles Praxis Ser. (Feb. 2000)

• Tim Watson, 'Improvements and Reparations at Mansfield Park', Literature and Film: A Guide to the Theory and Practice of Film Adaptation, Edited by Robert Stam and Alessandra Raengo (Oxford: Blackwell, 2006)

• James M. Welsh, 'Introduction: Issues of Screen Adaptation: What Is Truth?', Issues of Screen Adaptation (Plymouth: Scarecrow Press, 2007)

• Partick West, 'The Convergence Potentials of Collaboration & Adaptation: A Case Study in Progress." M/C Journal 9.2 (2006)

• Susan J. Wolfson, “Boxing Emma, or the Reader’s Dilemma at the Box Hill Games.” Re-reading Box Hill: The Practice of Reading the Practice of Everyday Life. Romantic Circles Praxis Ser. (Feb. 2000)

• Terry Wright, 'Introduction', Thomas Hardy on Screen, Edited by T. R. Wright (Cambridge: Cambridge University Press, )

Salman Rushdie, Emory Distinguished Writer in Residence, and Emory film studies professor Matthew Bernstein engage in a lively Creativity Conversation about film and literature at Emory University on March 19, 2009

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