Welcome to NECSUS, A New Open Access Film and Media Studies Journal

Frame grab from The Virgin Suicides (Sofia Coppola, 1999). Read Anna Backman Rogers's article on this film at the new NECSUS journal.

Hot off the press! To coincide with its annual conference, taking place in Lisbon from tomorrow, the European Network for Cinema and Media Studies (NECS) has just launched its new online and open access journal NECSUS. Feast your eyes on the marvellous contents of its first issue on Crisis below.

It has been added to Film Studies For Free's permanent listing of online and open access film and media studies journals. And now FSFF's author will read it! Yay!

Enjoy the conference, fellow NECS members!


Spring 2012: Launch Issue

• Editorial Necsus
• The gaps of cinema by Jacques Rancière
• Twitter as a multilingual space: The articulation of the Tunisian revolution through #sidibouzid by Thomas Poell and Kaouthar Darmoni
• Policing the people: Television studies and the problem of ‘quality’ by Sudeep Dasgupta
• The photo-novel, a minor medium? by Jan Baetens

Special Section: Crisis

• Sea-change: Transforming the ‘crisis’ in film theory by Robert Sinnerbrink
• A sideways view of the film economy in an age of digital piracy by Ramon Lobato
• Portraying the global financial crisis: Myth, aesthetics, and the city by Miriam Meissner
• Universal, Germany, and All Quiet on the Western Front: A case study in crisis historiography by Michael Wedel
• Ephemeral bodies and threshold creatures: The crisis of the adolescent rite of passage in Sofia Coppola’s The Virgin Suicides and Gus Van Sant’s Elephant by Anna Backman Rogers

Book Reviews:

• Crisis and capitalism in contemporary Argentine cinema reviewed by Fausto Appiolaza
• Towards a new media archaeology? A report on some books and tendencies reviewed by Petra Löffler

Conference Reviews:

• Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge reviewed by Beatriz Bartolomé Herrera
• The impact of technological innovations on the historiography and theory of cinema, La Cinémathèque québécoise, Montreal reviewed by Trond Lundemo

Festival + Exhibition Reviews:

• Busan Cinema Forum 2011 reviewed by Skadi Loist and Marijke de Valck
• Atlas. How to carry the world on one’s back? reviewed by Teresa Castro

More about → Welcome to NECSUS, A New Open Access Film and Media Studies Journal

"Goodbye Cinema, Hello Cinephilia" Masterclasses in Film Criticism by Adrian Martin, Jonathan Rosenbaum and Jacques Rancière

Adrian Martin - Sint Lukas Brussels - 20/10/'11 from Courtisane Festival on Vimeo.

Jonathan Rosenbaum RITS-cinema Brussels 27/10/11 from Courtisane Festival on Vimeo.

Jonathan Rosenbaum KASK cinema Gent 28/10/11 from Courtisane Festival on Vimeo.

Jacques Rancière - Bozar studios Brussels - 18/11/'11 from Courtisane Festival on Vimeo.

“For me, film criticism is not a way of explaining or classifying things, it’s a way of prolonging them, making them resonate differently”

- Jacques Rancière

Today, Film Studies For Free presents some videos it's been meaning to link to here for an age: a series of very extensive, and very wonderful, masterclasses given by Adrian Martin, Jonathan Rosenbaum and Jacques Rancière in Brussels in 2011.

Their talks, part of the "Goodbye Cinema, Hello Cinephilia" project, explore the status and possibility of cinephilia and film critical thinking. These astonishingly good events took their title from the wonderful 2010 book by Jonathan Rosenbaum.

Below are a few related links, including one to FSFF's mammoth collection of online writing on cinephilia.

• Catherine Grant, 'C is for Cinephilia Studies (plus some telephilia, too)', Film Studies For Free, May 28, 2009
• Adrian Martin, 'That Summer Feeling', Fipresci, 2005
• Adrian Martin's monthly Filmkrant columns, July 2010-present 
• Jacques Rancière, 'The Thwarted Fable', Rouge, 8, 2006
• Jacques Rancière , 'Aesthetic Separation, Aesthetic Community: Scenes from the Aesthetic Regime of Art',  Art and Research, 2.1, 2008
• Jonathan Rosenbaum, 'Goodbye Cinema, Hello Cinephilia', JonathanRosenbaum.com, June 24, 2004
• Jonathan Rosenbaum, 'The Missing Image - From Cinephilia to the World - The Trajectory of Serge Daney', originally published in The New Left Review, 34, July-August 2005
• Jonathan Rosenbaum and Adrian Martin, 'Preface to Movie Mutations: The changing face of world cinephilia', Fipresci Documents, 2004
• Jonathan Rosenbaum, 'Movie Love: Film-history tidbits in a monument to French cinephilia', Moving Image Source, March 5, 2009
• Jason Sperb, Be Kind...Rewind', Jamais Vu, May 13, 2012

More about → "Goodbye Cinema, Hello Cinephilia" Masterclasses in Film Criticism by Adrian Martin, Jonathan Rosenbaum and Jacques Rancière

New Issue of CINEMA: Journal of Philosophy and the Moving Image

Jeff Wall's photograph A Sudden Gust of Wind (after Hokusai), 1993 (courtesy of Wikipedia)

Today, in its continuing series of catch up posts on new offerings from open access film e-journals, Film Studies For Free brings you links to the contents of the latest issue of Cinema: Journal of Philosophy and the Moving Image.

Of particular interest, this time, are Tom McClelland's clear-eyed account of the respects 'in which the medium of film and the discipline of philosophy can intersect', Agustín Zarzosa's detailed evaluation of Rancière’s criticism of Deleuze, and Temenuga Trifonova's terrific discussion of the ways in which contemporary photography, like that of Jeff Wall mentioned above, 'seeks to reclaim the cinematic within the photographic from within the twilight of indexicality'.

Cinema: Journal of Philosophy and the Moving Image, No. 2 (2011)

Abstracts and Contributors

Articles

• Tom McClelland, 'The Philosophy of Film and Film as Philosophy'

• Agustín Zarzosa, 'Layering Images, Thwarting Fables: Deleuze, Rancière and the Allegories of Cinema'

• Temenuga Trifonova, 'The Twilight of the Index'

• Flore Chevaillier, 'Semiotic Images'

• Gabriella Calchi-Novati, '“Biopolitics on Screen”: Aernout Mik's Moving-Image Installations' ONLINE

Interview

• Questions for Jacques Rancière around his book Les écarts du cinéma (English version and French version): Conducted by Susana Nascimento Duarte

Conference Report

• William Brown on the Film-Philosophy Conference (Liverpool John Moores University, 6-8 July, 2011)

In Portuguese: 

• Leonor Areal, 'Para uma teoria do cliché' 

• Teresa Pedro, 'Técnicas cinematográficas e actos mentais: The Photoplay de Hugo Münsterberg'

Translation

• Mauro Carbone, trad. Débora Quaresma e Davide Scarso, 'Merleau-Ponty e o pensamento do cinema'

More about → New Issue of CINEMA: Journal of Philosophy and the Moving Image

Amsterdam fine links!

Image from Solaris (Andrei Tarkovsky, 1972), based on Stanisław Lem's 1961 novel. Read BC Biermann's film-philosophical PhD Thesis chapter on this film adaptation

A little window of opportunity for Film Studies For Free's author to bring you one of this site's regular features today: a report (or, more accurately, a labour-intensive links-harvest) from a University research repository, one of those online archives in which, on occasion, academics choose not only to store references to their published film studies work, but also to provide Open Access to that work.

The repository in question today is that of the University of Amsterdam/Universiteit van Amsterdam (UvA), home to one of the best Film and Media Studies departments in the world. Below is a list of links to an amazing spread of very high quality film research accessible there, most of it in the form of full-length PhD theses.

• Mieke Bal, 'Exhibition as film', in: (Re)visualizing national history: museums and national identities in Europe in the new millennium, ed. R. Ostow (Toronto: Toronto University Press, 2008), p. 15-43 
• M. Behlil , Home away from home: global directors of new Hollywood, PhD Thesis, UvA, 2007
• B.C. Biermann, Travelling philosophy: from literature to film [on A Clockwork Orange, Fight Club, Solaris], PhD Thesis, UvA, 2006 
• C.J. Birdsall, Between Noise and Silence: Sound, Technology and Urban Space during Nazi Germany, PhD Thesis, UvA (2010)
• L.T. Copier, Preposterous revelations: visions of apocalypse and martyrdom in Hollywood cinema 1980 – 2000, PhD Thesis, UvA, 2009
• S Dasgupta, 'Art is going elsewhere: and politics has to catch it : an interview with Jacques Rancière', Krisis, 9.1, 2008
• K. van Driel, Psychology of entertainment, PhD Thesis, UvA, 2003
• JJ Ebbers, Organizational dynamics in social networks : contracts and reputations in the film industry, PhD Thesis, UvA, 2009
• Thomas Elsaesser, 'Constructive Instability, or The Life of Things as the Cinema's Afterlife', Video Vortex: Responses to Youtube, eds. G. Lovink, S. Niederer (Amsterdam: Institute for Network Cultures, 2008)
• C.J. Forceville, 'The source-path-goal schema in the autobiographical journey documentary: McElwee, Van der Keuken, Cole', The New Review of Film and Television Studies, Vol. 4 (2006), p. 241-261 
• Malte Hagener, Avant-garde culture and media strategies: the networks and discourses of the European film avant-garde, 1919-39, PhD Thesis, UvA, 2005
• EM Kedem, The kibbutz and Israeli cinema : deterritorializing representation and ideology, PhD Thesis, UvA 2007
• J de Kloet, 'Cosmopatriot contamination', Cosmopatriots: on distant belongings and close encounters, eds E. Jurriëns, J. de Kloet (Amsterdam: Rodopi, 2007)
• S. Loist, M. de Valck, 'Film festivals/Film festival research: thematic, annotated bibliography', 2nd ed. (Hamburg: Universität Hamburg, Institut für Germanistik II, 2010)
• J. Noordegraaf, "'Facing Forward' with found footage: displacing colonial footage in 'Mother Dao' and the work of Fiona Tan", in: Technologies of memory in the arts (2009), eds Liedeke Plate and Anneke Smelik , p. 172-187 (author's original manuscript)  
• F Paalman, 'The Cheetah of Cinema', Mind the screen: media concepts according to Thomas Elsaesser, eds. J. Kooijman, P. Pisters, W. Strauven (Amsterdam: Amsterdam University Press, 2008)
• F. Paalman, 'Harbor, architecture, film: Rotterdam 1925-1935', in: Films that work: industrial film and the productivity of media, eds V. Hediger, P. Vonderau (Amsterdam: Amsterdam University Press, 2009), p. 391-404 
• MJ Punt, Early Cinema and the Technological Imaginary, PhD Thesis, UvA, 2000
• Laura Schuster, “What does a scanner see?” Techno-fascination and unreliability in the mind-game film", Conference paper: Visions of Humanity in Cyberculture, Cyberpunk and Science Fiction, Oxford, Inter-Disciplinary.Net, July 1-3, 2008
• D.W. Russell, A multifaceted multi-methodological examination of the global movie industry, PhD Thesis, UvA, 2006
• E Thanouli, Post-classical narration: a new paradigm in contemporary world cinema, PhD Thesis, UvA, 2005
• S Vojkovic, Subjectivity in the New Hollywood Cinema: Fathers, Sons and Other Ghosts, PhD Thesis, UvA, 2001

More about → Amsterdam fine links!