New CINEPHILE 8.2 on Contemporary Extremism

Screenshot from 올드보이/Oldboy (Park Chan-wook, 2003)

What happens to the specificity of the films of the new European extremism and their self-conscious address to the spectator when the category of extremism is opened up, and takes on global dimensions? To what extent is it useful or important to retain this label of a “new extremism” in cinema across these disparate contexts? And how do we account for the many-faceted contexts in which this idea of extreme cinema manifests itself? [Tanya Horeck and Tina Kendall, 'The New Extremisms: Rethinking Extreme Cinema', CINEPHILE 8.2, 2012 - clicking on this link downloads a large PDF]

Film Studies For Free has just found that the latest issue of one of its favourite journals has just gone online: a special issue on Contemporary Extremism of the Canadian film journal CINEPHILE (8.2, 2012). Here is a link to the archive where you can find the issue. The extremely excellent contents are listed below.

Preface: 'The New Extremisms: Rethinking Extreme Cinema' by Tanya Horeck and Tina Kendall

Articles

• 'Rites of Passing: Conceptual Nihilism in Jean-Paul Civeyrac’s Des filles en noir' by Tim Palmer
• 'Subject Slaughter' by Kiva Reardon
• 'Sacrificing the Real: Early 20th Century Theatrics and the New Extremism in Cinema' by Andrea Butler
• 'Cinematography and Sensorial Assault in Gaspar Noé’s Irreversible' by Timothy Nicodem
• 'Infecting Images: The Aesthetics of Movement in Rammbock' by Peter Schuck
• 'The Quiet Revulsion: Québécois New Extremism in 7 Days' by Dave Alexander

Report

• 'Extreme Vancouver' by Chelsea Birks and Dana Keller

LARGE PDF of whole issue

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New SCREENING THE PAST on 'Untimely Cinema'

Framegrab from Histoire(s) du cinéma (Jean-Luc Godard, 1998). Please read Adrian Martin's new essay A Skeleton Key to Histoire(s) du cinéma

The question of whether cinema has run out of time, and the related question of whether it is also, therefore, out of ‘its’ time (cinema as ‘heritage’ media, a relic from another era) are questions that are often posed by, and to, those working in cinema studies today. For well over a decade, film theorists and film historians have evocatively, rigorously and at times relentlessly theorised and debated the question of whether cinema is dead, dying, living on borrowed time, or doing what it has so often done – refigure itself. In titling this essay, and this issue, “Untimely Cinema: Cinema Out of Time” we consider this idea in two seemingly very different ways. [Jodi Brooks and Therese Davis, 'Untimely Cinema: Cinema Out of Time', Screening the Past, ISsue 43, 2012 ]

A really wonderful new issue of Screening the Past, one of the best online and openly accessible film studies journals, has just been published, so Film Studies For Free rushes you the news. It's a timely special issue on Untimely Cinema guest edited by Jodi Brooks and Therese Davis.

The contents are incredibly rich and wide-ranging and are listed, and linked to, below.


Untimely Cinema: Cinema Out of Time

• Untimely Cinema: Cinema Out of Time by Jodi Brooks & Therese Davis
• Syrian Cinema: Out of Time? by Kay Dickinson
• The Restoration of The Exiles: The Untimeliness of Archival Cinema by Catherine Russell
• A Skeleton Key to Histoire(s) du cinéma by Adrian Martin
• Suspended Reading: Man on Wire, 9/11, and the Logic of the High-Wire by Adam Ross Rosenthal
• Kim Ki-duk’s Aporia: The Face and Hospitality (on 3-Iron) by Steve Choe
• Re-staging the Cinema: Psycho, Film Spectatorship and the Redundant New Remake by Megan Carrigy
• Parentheses in Time: L’Année Dernière à Marienbad (1961) as Amorous Event by Alex Ling
• Missed Beats: Unseen Cinema and a Cinema of the Unseen (or Stella Dallas, Again) by Jodi Brooks
• Cinema Against the Age: Feminism and Contemporary Documentary by Belinda Smaill
• Untimely Animations: Waltz with Bashir and the Incorporation of Historical Difference by Paul Atkinson and Simon Cooper

First Release

• Ten Fingers and Nine Toes: Embodied Representations of Pregnancy in Avant-Garde Cinema by Lauren Bliss
• Mapping the Cinematic Journey of Alexander Pearce, Cannibal Convict by Jane Stadler
• I racconti di Canterbury (Pier Paolo Pasolini)/The Canterbury Tales (Geoffrey Chaucer) by Sam Rohdie
• The Great Uncredited: Sir Walter Scott and Cinema by Tim Dolin
• The Jazz Singer: Accounting for Female Agency and Reconsidering Scholarship by Karen Vered
• Encountering Elusive Cinema: Tati, Straub-Huillet and Antonioni by Edgar Jorge

Classics and Re-runs

• Directing the Avant-Garde: Raymond Durgnat interviews Stephen Dwoskin (1984) by Raymond Durgnat

Reviews

• Ford At Fox by Bill Routt
• To Wax Zizekian: On Un-American Psycho: Brian De Palma and the Political Invisible by Adrian Martin
• Humphrey Jennings and British Documentary Film: A Re-Assessment by Patricia Aufderheide
• The Shadowcatchers: a history of cinematography in Australia by Ina Bertrand
• Post – 9/11 Cinema: Through a Lens Darkly by Rod Bishop
• Optic Antics: The Cinema of Ken Jacobs by Dirk de Bruyn
• Deleuze and World Cinemas by Daniel Fairfax
• Celluloid Immigrant: Italian Australian Filmmaker Giorgio Mangiamele by Geoff Gardner
• Deleuze and Cinema: The Film Concepts
• by Gabrielle Lowe
• World Film Locations: Paris by Sarinah Masukor
• The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era by Josh Nelson
• China on Video: Smaller-screen realities by Tom Salek
• Terrence Malick and the Thought of Film
• by Robert Sinnerbrink
• World Film Locations: Los Angeles & World Film Locations: London by Lynn Smailes
• Virtual Hallyu: Korean Cinema of the Global Era by Mike Walsh
• The Anatomy of Harpo Marx by Wheeler Winston Dixon
  

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Follow-Friday Links Round Up

Image from Frederick Wiseman’s La danse - Le ballet de l'Opéra de Paris (2009)

For those of you not (yet) following Film Studies For Free on Twitter here's a meaty round up of FSFF's (aka @filmstudiesff) recent top tweeted recommendations of online and openly accessible film and media studies resources of note. They are listed mainly in reverse chronological order, so there are as many must-read recommendations at the foot of the list as there are at the top.

For Twitter aficionados, FSFF's 'Follow-Friday' recommendations are given in (@) brackets throughout:

• Two excellent and must-read items from David Bordwell:
  
  
  • 'Another Shaw Production: Anamorphic Adventures in Hong Kong'
  • The hilarious and informative blogpost on bedposts and cinematic phalluses...
    

• Scorsese, Schoonmaker, and Toback talk to Aaron Hillis at GreenCineDaily about THE RED SHOES restoration (@GreenCineDaily) 
  

• At Film International, read Robert Leeming on Joseph Losey:  (thanks to @theauteursdaily)
  

• Must-read: Hito Steyerl on the 'Poor Image' (and 'swarm circulation, digital dispersion, fractured and flexible temporalities') (thanks to @theauteursdaily)
  

• Compelling essay by Aaron Bady (@zunguzungu) at The Valve: 'Tarantino is an Inglourious Basterd'

• Excellent Guardian article by Peter Bradshaw (@guardianfilm and @peterbradshaw1) on 'What Michael Haneke owes to Kafka' 

• Fabulous piece on the essay film's jostling of cinematic pieties by Andrew Tracy for Moving Image Source (thanks to @theauteursdaily)
  

• Dan North (@drnorth) on the decline and fall of Tarzan  

• At Indian Auteur, a really good interview with Atsushi Funahashi (Deep in the Valley)  (Thanks to @niteshrohit) 
  

• Luke McKernan at The Bioscope on recovering obscure histories, e.g., that of British silent era screenwriter Mary Murillo (thanks to @theauteursdaily)

• Check out Ron Reed's fascinating post on the Coens' A Serious Man: 'Questions For Further Study' @ Filmwell  (@filmwell)

• The Open Culture blog had a good round of websites where you can watch Free Movies Online

• See Ryland Walker Knight's wonderful work transforming Michael Bay's images: "Bay Area: A Flare for "Transformers"
  

• See Matthew Flanagan's great review of "La danse - Le ballet de l'Opéra de Paris" (Frederick Wiseman)  (thanks to @theauteurs) 

• A must-read: Henry Jenkins on' Strange Overtures: Vodaphone, Tchaikovsky, Ernie Kovacs and the "Wowness" of New Media  (thanks to @henryjenkins)  
  

• A last post (sob) Mystery Man on Film's old blog: [HIS] 101 BEST ARTICLES! - Lots of great educational stuff, especially on screenwriting. (thanks to @MMonFilm)
  

• Great post at The Bourne Cinema Conspiracy on 'The Best Korean and Japanese Films of the 2000s' 
  

• Excellent essay by Ernest Mathijs, 'Threat or Treat: Film, Television, and the Ritual of Halloween' at Flow TV (thanks to @flowTV)

• Truly great stuff, as always, from Michael J Anderson: "Being Above/Being Within: A Taxonomy of the 360° Panorama" (thanks to @theauteursdaily 

• The ever excellent Michael Guillén at The Evening Class on LOS SANTOS SUCIOS/THE DIRTY SAINTS (2009) - great Q&A with Luis Ortega (@MichaelGuillen)

• David Cairns (@dcairns)  is brilliant on THE HAUNTING 'Halloween Film Club: Sick Building Syndrome' at his Shadowplay blog 

• Chris Cagle's done it again - a great overview, this time, of film history textbooks (thanks to @theauteursdaily). It's a companion piece to his extremely useful review-overview of introductory textbooks.
  

•  'Kuxa Kanema: Mozambican film … and Godard' from Damon Smith's brilliant The Hands of Bresson blog
  

• Jonathan Rosenbaum compellingly asks the big Bazinian question 'What is cinema?' in his essay 'Goodbye Cinema, Hello Cinephilia'

• A Must-read: Srikanth Srinivasan (@justanotheruser) brilliantly posted about Roman Polanski's second feature REPULSION (1965) 
  

• And last but certainly not least, read Film Editor Jo Ann Kaplan on 8 "magic" cuts (with clips) at the great website APEngine (@APEngine)
  

More about → Follow-Friday Links Round Up