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| Image from Innocence and Despair (Phil Solomon, 2001). Experience Solomon's video at World Picture Journal 5: Sustainability | 
Great work, WP!
Below, you can find the issue's table of contents, and below that you can find the call for papers for the next World Picture conference, this time in Toronto, so do please scroll down for those.
- Eugenie Brinkema Burn. Object. If.
 
- Tina di Carlo Excess Sustainability, Sustainable Excess: A Dossier of Statements on Architecture and Sustainability Statements by Stefano Harney, Geoffrey West, Rem Koolhaas, Jeffrey Inaba, Bjarke Ingels, and Tomas Saraceno
 
- Michelle Citron in conversation with Brian Price and Meghan Sutherland The Ambiguous Archive
 
- Alexander García Düttmann The Life and Death of the University
 
- Ken Jacobs 3D is Intoxicating and Three 3D Poems: Lulu in Hollywood, Routine, The Story of a Devoted Couple
 
- Jennifer Johung Sustainably Dependent: Bio-Architectural Living Spaces
 
- Ian MacKaye in conversation with Brian Price Records
 
- Timothy Morton Unsustaining
 
- Karen Pinkus and Cameron Tonkinwise Want Not: A Dialogue on Sustainability with Images
 
- Rebekah Rutkoff The Splatter Technique: An Interior Dialogue Between the Narrator and Carolee Schneeman
 
- Phil Solomon Innocence and Despair (2001): A Decade Later
 
- Allan Stoekl Agnès Varda and the Limits of Gleaning
 
CALL FOR PAPERS: 2011  World Picture Conference 
October 21-22 University of Toronto
Lorenz Engell, Bauhaus University, Weimar Elizabeth Povinelli, Columbia University
     October 21-22 University of Toronto
Lorenz Engell, Bauhaus University, Weimar Elizabeth Povinelli, Columbia University
The annual World Picture Conference gathers  scholars from a range of different disciplines to address the relation  between  critical theory, philosophy, and aesthetics. For this year’s  meeting we welcome  papers on questions of distance. Such considerations  might include (but are in  no sense limited to):  
- Distance and mediation (technological and otherwise)
 - Distance as abstraction (or alienation, estrangement)
 - Travel Simultaneity
 - Spatial allegories of distance
 - Vision (as the prime sense organ of distance)
 - Modes of translation
 - Geopolitics (of distance)
 - Distance and/as interval (distance as time, not just space)
 - Distance and unknowing/ignorance
 - Critique of proximity/propinquity
 - Ecology and distance (global footprints, carbon calculations, etc.)
 - Scale Emotion Critical distance/objectivity
 
Please submit proposals  (250 words, plus brief bio) by June 17 to: brian.price@utoronto.ca  

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