What's the Ideal Fasting Insulin Level?

Diposting oleh good reading on Selasa, 22 Desember 2009

[2013 update.  I'm leaving this post up for informational purposes, but I think it's difficult to determine the "ideal" insulin level because it depends on a variety of factors including diet composition.  Also, insulin assays are not always comparable to one another, particularly the older assays, so it's difficult to compare between studies]

Insulin is an important hormone. Its canonical function is to signal cells to absorb glucose from the bloodstream, but it has many other effects. Chronically elevated insulin is a marker of metabolic dysfunction, and typically accompanies high fat mass, poor glucose tolerance (prediabetes) and blood lipid abnormalities. Measuring insulin first thing in the morning, before eating a meal, reflects fasting insulin. High fasting insulin is a marker of metabolic problems and may contribute to some of them as well.

Elevated fasting insulin is a hallmark of the metabolic syndrome, the quintessential modern metabolic disorder that affects 24% of Americans (NHANES III). The average insulin level in the U.S., according to the NHANES III survey, is 8.8 uIU/mL for men and 8.4 for women (2). Given the degree of metabolic dysfunction in this country, I think it's safe to say that the ideal level of fasting insulin is probably below 8.4 uIU/mL.

Let's dig deeper. What we really need is a healthy, non-industrial "negative control" group. Fortunately, Dr. Staffan Lindeberg and his team made detailed measurements of fasting insulin while they were visiting the isolated Melanesian island of Kitava (3). He compared his measurements to age-matched Swedish volunteers. In male and female Swedes, the average fasting insulin ranges from 4-11 uIU/mL, and increases with age. From age 60-74, the average insulin level is 7.3 uIU/mL.

In contrast, the range on Kitava is 3-6 uIU/mL, which does not increase with age. In the 60-74 age group, in both men and women, the average fasting insulin on Kitava is 3.5 uIU/mL. That's less than half the average level in Sweden and the U.S. Keep in mind that the Kitavans are lean and have an undetectable rate of heart attack and stroke.

Another example from the literature are the Shuar hunter-gatherers of the Amazon rainforest. Women in this group have an average fasting insulin concentration of 5.1 uIU/mL (4; no data was given for men).

I found a couple of studies from the early 1970s as well, indicating that African pygmies and San bushmen have rather high fasting insulin. Glucose tolerance was excellent in the pygmies and poor in the bushmen (5, 6, free full text). This may reflect differences in carbohydrate intake. San bushmen consume very little carbohydrate during certain seasons, and thus would likely have glucose intolerance during that period. There are three facts that make me doubt the insulin measurements in these older studies:
  1. It's hard to be sure that they didn't eat anything prior to the blood draw.
  2. From what I understand, insulin assays were variable and not standardized back then.
  3. In the San study, their fasting insulin was 1/3 lower than the Caucasian control group (10 vs. 15 uIU/mL). I doubt these active Caucasian researchers really had an average fasting insulin level of 15 uIU/mL. Both sets of measurements are probably too high.
Now you know the conflicting evidence, so you're free to be skeptical if you'd like.

We also have data from a controlled trial in healthy urban people eating a "paleolithic"-type diet. On a paleolithic diet designed to maintain body weight (calorie intake had to be increased substantially to prevent fat loss during the diet), fasting insulin dropped from an average of 7.2 to 2.9 uIU/mL in just 10 days. This is despite a substantial intake of carbohydrate, including fruit and vegetable sugars.  The variation in insulin level between individuals decreased 9-fold, and by the end, all participants were close to the average value of 2.9 uIU/mL. This shows that high fasting insulin is correctable in people who haven't yet been permanently damaged by the industrial diet and lifestyle. The study included men and women of European, African and Asian descent (7).

One final data point. My own fasting insulin, earlier this year, was 2.3 uIU/mL. I believe it reflects a good diet, regular exercise, sufficient sleep, and a relatively healthy diet growing up. It does not reflect: carbohydrate restriction, fat restriction, or saturated fat restriction.

So what's the ideal fasting insulin level? My current feeling is that we can consider anything between 2 and 6 uIU/mL within our evolutionary template.
More aboutWhat's the Ideal Fasting Insulin Level?

Oyez! Oyez! Screening the Past (Issue 26) Out Now

Diposting oleh good reading

Image from The New World (Terrence Malick, 2005), the subject of Robert Sinnerbrink's great article in the latest issue of Screening the Past

Donning its fetching town-crier e-garb, Film Studies For Free shouts out "Hear ye, hear ye: new Screening the Past, people! Lots of links to great stuff below." The issue features wondrous items by old and valued friends of FSFF (Adrian Martin and Frances Guerin, in particular) as well as by up and coming Film Studies greats (Robert Sinnerbrink, among others).

Issue 26: Special Issue: Early Europe 

Guest Editor: Louise D’Arcens

Louise D’Arcens: Screening Early Europe: Premodern Projections.
Adrian Martin: The Long Path Back: Medievalism and Film.
Stephanie Trigg: Transparent Walls: Stained Glass and Cinematic Medievalism.
Anke Bernau: Suspended Animation: Myth, Memory and History in Beowulf.
Sylvia Kershaw and Laurie Ormond: “We are the Monsters Now”: The Genre Medievalism of Robert Zemeckis’ Beowulf.
Robert Sinnerbrink: From Mythic History to Cinematic Poetry: Terrence Malick’s The New World Viewed.
Helen Dell: Music for Myth and Fantasy in Two Arthurian Films.
Narelle Campbell: Medieval Reimaginings: Female Knights in Children’s Television.
Louise D’Arcens: Iraq, the Prequel(s): Historicising Military Occupation and Withdrawal in Kingdom of Heaven and 300.
Christina Loong: Reel Medici Mobsters? The Medici: Godfathers of the Renaissance Reassessed.
Laura Ginters: “A Continuous Return”: Tristan and Isolde, Wagner, Hollywood and Bill Viola.
Appendix: Raúl Ruiz: Three Thrusts at Excalibur.
Contributors. 

First Release
Adrian Danks, Fishing from the Same Stream: The New Iranian Cinema, Close-Up and the “Film-on-film” Genre.
Peter Limbrick, Playing Empire: Settler Masculinities, Adventure, and Merian C. Cooper’s The Four Feathers (US 1929).
Lesley Speed, Strike Me Lucky: Social Difference and Consumer Culture in Roy Rene’s Only Film.

Australian Film Culture

Ina Bertrand, Some Early History of the Australian Film Institute: A Memoir of the 1970s.
Deane Williams, ‘The Circulation of Ideas’: An Interview with Tom O’Regan.
Deane Williams, Shifts and Interventions: Cultural Materialism and Australian Film History.

Reviews

Ina Bertrand reviews Raymond Longford’s The Sentimental Bloke: The Restored Version, Madman/NFSA/ATOM, 2009.
Ina Bertrand reviews Kathryn H. Fuller-Seeley (ed.), Hollywood in the Neighbourhood: Historical Case Studies of Local Moviegoing.
Nathalie Brillon reviews Jane Mills, Loving and Hating Hollywood: Reframing Global and Local Cinemas.
Adam Broinowski reviews Sabine Nessel, Winfried Pauleit, Christine Rüffert (eds), Wort und Fleisch: Kino zwischen Text und Körper.
Rachael Cameron reviews André Gaudreault, From Plato to Lumière: Narration and Monstration in Literature and Cinema.
Ryan Cook reviews Matthew H. Bernstein, Screening a Lynching: The Leo Frank Case on Film and Television.
Maura Edmond reviews Jacob Smith, Vocal Tracks: Performance and Sound Media.
Victor Fan reviews Pak Tong Cheuk, Hong Kong New Wave Cinema (1978-2000).
Mike Fleming reviews The Encyclopedia of British Film (Third Edition).
Freda Freiberg reviews Alexander Jacoby, A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day, and Aaron Gerow, A Page of Madness: Cinema and Modernity in 1920s Japan.
Gin Chee Tong reviews Brooke Erin Duffy and Joseph Turow (eds), Key Readings in Media Today: Mass Communication in Contexts.
Frances Guerin reviews Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema.
Alexandra Heller-Nicholas reviews Barry Curtis, Dark Places: The Haunted House in Film.
Roger Hillman reviews Mark Betz, Beyond the Subtitle: Remapping European Art Cinema.
Jan-Christopher Horak reviews Rob King, The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture.
Irene Javors reviews Joe McElhaney, Albert Maysles.
D.B. Jones reviews Philip Gillett, Movie Greats: A Critical Study of Classic Cinema.
Harry Kirchner reviews Steven Maras, Screenwriting: History, Theory and Practice.
Roger Macy reviews Bert Cardullo, Out of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiraostami, and Zhang Yimou; Essays and Interviews.
Harriet Margolis reviews Gönül Dönmez-Colin, Turkish Cinema: Identity, Distance and Belonging.
Harriet Margolis reviews Deb Verhoeven, Jane Campion.
Craig Martin reviews Tony Shaw, Hollywood’s Cold War.
Josh Nelson reviews Roger Ebert, Scorsese by Ebert.
Violeta Politoff reviews Joanna Page, Crisis and Capitalism in Contemporary Argentine Cinema.
Thomas Redwood reviews Michel Ciment, Film World: Interviews with Cinema’s Leading Directors.
Christopher Rowe reviews Jane Stadler with Kelly McWilliam, Screen Media: Analysing Film and Television.
Kirsten Stevens reviews Dina Iordanova with Ragan Rhyne (eds), Film Festival Yearbook 1: The Festival Circuit.
Jay Daniel Thompson reviews Amit Sarwal and Reema Sarwal (eds), Creative Nation: Australian Cinema and Cultural Studies Reader.
Mike Walsh reviews Michael Ingham, Johnnie To Kei-fung’s PTU.
Mike Walsh reviews Joe McElhaney (ed.), Vincente Minnelli: The Art of Entertainment.
Mike Walsh reviews Catherine Russell, The Cinema of Naruse Mikio: Women and Japanese Modernity.
Tony Williams reviews Stella Hockenhull, Neo-Romantic Landscapes: An Aesthetic Approach to the Films of Powell and Pressburger.
Janice Yu reviews Jane Blocker, Seeing Witness: Visuality and the Ethics of Testimony.
More aboutOyez! Oyez! Screening the Past (Issue 26) Out Now

A Barrel of Wishes

Diposting oleh good reading on Senin, 21 Desember 2009

It's the time of the year again...


To my child, being born at the end of the year has never been a good thing to him. He has to wait, and wait and wait for his birthday...it is an agony for him to watch the rest of his classmates celebrate their birthdays one after another.


To reward him for his patience, I wanted to bake a cake that would really make him feel that it is worth the long wait. I googled with the key words "cake", "chocolates", "candies"and "birthday". We were blown away by this particular image of a cake that is decorated with lots of M&Ms, and covered with sticks of Kit Kats! I was then left with the task of replicating this Candy Barrel cake.


Without any basic baking tools, I could only bake a cake out of a box. A cake mix would be good, but I read the instructions on the box, I would need to use an electric whisk or at least a manual one. I have none of these with me. So I bought a pack of Betty Crockers brownies mix...Supreme Hershey Walnuts Fudge Brownies instead, since all I need is just a spoon.


In order to get a more cake like texture, I followed the instruction, to use 3 eggs instead of 2. The end result was not too bad, it was quite close to a dark, dense chocolate cake.


This is an excellent cake for someone like me, who can't frost or pipe a cake properly. The candies covered up whatever flaws that I made along the way ^_^"

I baked the brownies in a big pan (it's actually a roasting pan!) and cut out two 5" rounds (yes, it is a very small cake), stacked them on top of one another, sandwiched with a layer of chocolate ganache. I then covered the entire surface with the remaining ganache and 'glued' the kit kat all around the sides. I didn't cover the top with heaps of candies as I think it would be just too much (I used 3 small packs). Instead, I filled up the barrel with lots of wishes for my little one.

Here's a tip: if I were to make this again, I would bake a tall sponge cake, so that it would come up almost to the rim of the kit kat barrel. In that way, I won't need to use lots of candies to create the impression that it is holding tonnes of M&Ms ;)


With a ribbon, a tag (which I brought all the way from home) and a numeric candle (guess how much I got this from Carrefour here?? It costs only one yuan, which is equivalent to S$0.20!!!), I thought I have made the most awesome looking birthday cake, ever! and, this is so fool-proof!

The birthday boy was thrilled when he saw the cake, he gave me a warm hug and a sweet kiss ;)


The cake tastes as good as it looks...chocolaty, rich and dense, perfect for any chocolate and candies lovers.
More aboutA Barrel of Wishes

Nat Geo Adventure - Ghost Fleet

Diposting oleh good reading on Minggu, 20 Desember 2009




Your father is missing and nobody knows where he has gone! You are a National Geographic Adventurer searching through ancient undersea ship wrecks for crucial clues in your father's disappearance. The beautiful underwater scenery and engaging mystery will keep you enthralled in this new and exciting Hidden Object game! Utilize real life diving equipment and techniques to help reveal clues in Ghost Fleet!
Game Size 95MB




OR

More aboutNat Geo Adventure - Ghost Fleet

Crossing the Wild River: R.I.P. Robin Wood (1931-2009)

Diposting oleh good reading on Sabtu, 19 Desember 2009

Last updated on June 4, 2010
'If I were asked to choose a film that would justify the existence of Hollywood, I think it would be Rio Bravo.' Robin Wood
Film Studies For Free briefly emerges from an enforced absence due to illness (back properly soon, it hopes), to mark the sad passing, on December 18, of Robin Wood, one of the true giants of the difficult endeavour of film criticism and also of the discipline of film studies.

FSFF's own special-favourite Wood works are the talk on 'Responsibilities of a Gay Film Critic', his books on Hitchcock (especially the Vertigo chapter), the book he co-authored with Michael Walker on Claude Chabrol's films, his incredibly enlightening study of Hawk's Rio Bravo and the other BFI book on The Wings of a Dove. Each of these was paradigm-shifting in their own ways, as was much of Wood's other writing on cinema.

As online tributes to this major film writer appear in the next days they will be added to the list of online and freely accessible works by or about Wood given below.

May this hugely prolific, influential, and talented writer, film-thinker, and teacher rest in peace.

Posthumous online tributes to Robin Wood:

Online works by or about Robin Wood:






        More aboutCrossing the Wild River: R.I.P. Robin Wood (1931-2009)

        CAKEBRAIN’S CHRISTMAS COOKIES 2009

        Diposting oleh good reading on Jumat, 18 Desember 2009

        DSC_3957
        Rudolph Sugar Cookies
        DSC_3960
        From a quadruple batch of Sugar Cookie dough (from Martha Stewart’s Sugar Cookie recipe), I made a whole herd of reindeer, a veritable snowstorm of Tiffany Snowflake Cookies, and a forest of Christmas Tree cookies.   I divided up a batch of royal icing and tinted it using Teal coloured gel paste for the snowflakes and brown gel paste for the reindeer.   The reindeer noses were Wilton red-coloured candy sprinkles and the eyes were flat white confetti sprinkles coloured with a black food pen. 
        DSC_3961
        This year, my chocolate flavoured cookie was  a Pierre Hermé  recipe from his book Chocolate Desserts by Pierre Hermé.  Last year I had so much success with the beautiful Vanilla Bean Chocolate Diamonds (pictured below),
        DSC_2377  
        that I contemplated making Hermé’s Chocolate Sparklers recipe, but since I already made a batch of my slice and bake Vanilla Bean Butter Cookies, I thought it would be nice to have a piped one for the different shape.  I decided the Viennese Chocolate Sablés would be perfect.  They are piped with a large star tip ( I used Wilton 1M) and though the dough is soft, this didn’t help for ease of piping…it was pretty stiff and difficult to pipe.  I had to ensure I didn’t fill my bag too full or it became almost impossible to pipe properly.  Check the bottom of this post for the recipe.
        DSC_3976
        The “w” shape that was piped onto the parchment was not as difficult to make as I thought it would be.  The resulting baked sablé is crumbly, buttery and chocolatey.  This is a perfect cookie for setting out for Santa along with a tall glass of milk .  They keep well for a week in a tin.  The Viennese Chocolate Sablés will be part of my Christmas Cookie boxes this year along with:
         Christmas Trees,
        DSC00004  
        the Tiffany Sugar Cookies,
        DSC_3982
        the Vanilla Bean Butter Cookies,DSC_2418
        the Oreo WreathsDSC_3947 










        and the Rudolph Sugar Cookies.DSC_3959 














        VIENNESE CHOCOLATE SABLÉS
        (from Pierre Hermé’s Chocolate Desserts by Pierre Hermé)
        • 1 3/4 cups plus 1 1/2 tablespoons (260 grams) all-purpose flour
        • 5 tablespoons (30 grams) Dutch-processed cocoa powder, preferably Valrhona
        • 2 sticks plus 1 1/2 tablespoons ( 8 3/4 ounces; 250 grams) unsalted butter, at room temperature
        • 3/4 cup plus 2 tablespoons (100 grams) confectioners’ sugar, sifted
        • pinch of salt
        • 3 tablespoons lightly beaten egg whites (lightly beat 2 large egg whites, then measure out 3 tablespoons)
        • Confectioners’ sugar for dusting (optional)
        1. Position the racks to divide the oven into thirds and preheat the oven to 350degreesF (180degreesC).  Line two baking sheets with parchment paper and set aside.  Fit a pastry bag with a medium-sized open star tip and keep it close at hand. (The tip should be crenellated, but its piping hold should be open and somewhat straight, rather than curved and tightly rounded.)
        2. Whisk together the flour and cocoa and keep close at hand.  In a large bowl, beat the butter with a whisk until it is light and creamy—for the recipe to be successful, the butter must be very soft.  Whisk in the sugar and salt, then stir in the egg whites.  Don’t be concerned when the mixture separates; it will come together when you add the dry ingredients.  Gradually add the flour-cocoa and blend only until it is incorporated—you don’t want to work the mixture too much once the flour is added, a light touch is what will give these cookies their characteristic crumbliness.
        3. Because the dough is thick and somewhat heavy, it’s best to work with it in batches.  Spoon about one-third of the dough into the pastry bag.  Pipe the dough into W-shaped cookies, each about 2 inches (5 cm) long and 1 1/4 inches (3 cm) wide, 1 inch apart onto the prepared baking sheets.  (In reality, the W is closer to the letter’s name than its look—it’s best to pipe two attached Us so that you have a kind of wave.  But don’t worry too much about this—the cookies will taste fine no matter the shape.)
        4. Bake the cookies for 10 to 12 minutes—no more—or until they are set but neither browned nor hard.  Using a wide metal spatula, transfer the cookies to a rack to cool to room temperature.  Repeat with the remaining dough, making sure that you don’t put the to-be-baked cookies on hot baking sheets.  Before serving, you can dust the cookies with confectioners’ sugar.
        More aboutCAKEBRAIN’S CHRISTMAS COOKIES 2009

        World Riddles Animals

        Diposting oleh good reading

        Logic game fans rejoice! World Riddles: Animals, a casual offering packed with refreshing challenges, has arrived! Picture a grid of tiles with numbers along the side of each column and row. The numbers indicate how many globes are hidden under the tiles that make up each column and row. Using these clues, you must find and uncover the globes without clicking too many of the wrong tiles. Along the way, you'll visit seven continents, play delightful mini-games and learn fascinating facts about the animal kingdom. Can you earn the Expert Medallion?

        Game Size 24 MB

        OR
        OR
        OR
        OR

        Screenshots:


        Have fun and feel free to leave your comments!

        Recommended for free users: Use Jdownloader to increase download speed!
        More aboutWorld Riddles Animals